Susanna Salk



Subscribe To This Blog
It’s Only A Stage
Sunday, January 17th, 2016

The word “staging” in real estate involves deliberate arranging of someone’s home to make it look as appealing as possible for a potential buyer. As a sometimes stager, my job is the opposite as to when I help someone as their designer: the goal is for rooms to look stylishly anonymous as opposed to stylishly personal.
Sometimes the rooms are empty and they need to be filled in order to give a sense of their potential: a rug, a sofa, a coffee table, a lamp. Maybe a picture or two on the wall, a tray for the table, a throw for the chair…you can see where it can be hard to draw the line and stop. Rooms tend to always look empty without that infusion of the real human.
If the project’s rooms already are filled then most likely they need to be edited. I have been hired to help sell their house and the owners have put an invaluable trust in my being not a friend, but an assessor as to what is no longer essential. Beloved pictures of children must be tucked away. Kitchen counters removed of that glorious accumulation that comes with years of cooking. Throw pillows wonderfully weary due to years of supporting naps and football game watching must be replaced with cheerful new versions. I am staging a pretend life over a real life in hopes of luring a real life to take over.
But along the way I’ve come to realize that the very word “staging” is even more apt in defining what is going on in the current owners’ lives: the literal stage of peoples lives where they are moving on for a variety of reasons, some exciting, some sad and all about change. The old stage must be packed and put away to make room— literally and metaphorically— for a new one. This is a process where I must always be clinical despite being a very emotional person. I have had to tell a couple to empty their hallway that was fabulously cluttered with years of travel memorabilia because it was simply too distracting. I wanted nothing more than to share a bottle of wine and hear the stories behind how they found every mask and painting but that was not why I was hired. When they told me that they understood that they had to sell their quirky brass bed for something with more alluring modern lines, I felt my eyes well up a little. They were ahead of me even on what was needed and where they had to go. When I showed them their transformed bedroom it was a strange sensation as it wasn’t really for them. (They were going to live in it on weekends until the house sold.) But the husband looked around at the spiffy black and white photographs I had placed on the walls and at the white modern bed with its colorful comforter cover and his eyes sparkled and he exclaimed: “It’s sexy!” Could I ever be as receptive if the time ever came for my own home change?
I’ve helped a recently widowed elderly woman put away many of the vestiges of her now too-large home after her husband died. Hundreds of items had to marked as being either moved, stored or kept while she continued to live there until it sold.
Wile we worked, she stayed in the kitchen, her tiny frame in the enormous space watching television, answering mail, valiantly staying out of our way even though the meaning of our very presence must have been heartbreakingly real. I kept an eye on her throughout the day, popping in to chat, ask her questions, permission or just see how she was doing. Finally, after a long day of overseeing packers and movers I was anxious to get home to my own family as I had to be there again early the next morning to finish.
As I went out the front door I noticed she had retired with her lap dog in her bedroom lounge chair and was looking out the window as the sky was getting darker. One of my helpers appeared and whispered: “You had wanted to move her lounge chair?” I had, to a more appealing spot closer to the entrance of the room. “Leave it,” I told him.

Making Room
Saturday, March 21st, 2015

The Smiths, a couple in their mid seventies, recently hired me to visit their weekend home of over thirty years to tell them if I thought it worth changing. “We’ve been here for so long, we’ve forgotten if the house is right for us and need your help,” Mrs. Smith wrote me the week prior.
Usually I have an immediate instinct on what I feel is needed, like a dowsing rod bending in a direction of water buried deep below ground. Sometimes it’s about adding: bringing in a new piece of furniture with a bigger personality or wingspan. Sometimes it’s the mere move of an existing piece from here to there that can set off a miraculous chain of redistribution resulting in the space feeling refreshed. But most often my task is about taking away. “Do you really need three plastic water pitchers?” I once asked a couple who complained about not having enough storage space in their kitchen. (The bulky pitchers were taking up an entire shelf in the precious real estate to the right of the stove. Ninety minutes later I was headed for Goodwill with their blessing, a box of donated items they hadn’t realized they didn’t need.) The solving of such domestic minutiae is always deeply satisfying, like easily plucking a book from a high shelf for someone who is shorter.
But from the moment I walked into their gracious living room, brimming with books, family pictures, creaking wood floors and sun-faded curtains, I knew my task would not be quite so easy. The rambling old Colonial sighed as I toured it, each room offering me a mood rather than a problem: the outdated children’s rooms desperate to tempt the occasional grandchild who visited; the elegant yet lonely dining room ashamed of its diminished status and the grumpy butler’s pantry with its once orderly shelves now filled with mismatched china and old New Yorkers stacked across its counter. I went outside and walked through the overgrown garden. From here, I could see the Smiths looking at me through their window: he was standing right behind her, gently resting his still strong hands on each of her shoulders. She gave me a wave and the striped ribbon that held her white blond bob back jiggled merrily.
I thought of my father’s parents— now deceased— who had moved into a retirement community when they reached their eighties. They had had to whittle down the beloved home where they had lived most of their married life in Pittsburgh into several non descript rooms in a new ground floor apartment that was attached to other identical apartments out in the suburbs. As their aging needs expanded, their space reduced, until they lay in beds facing the other, spending most of their days reading Shakespeare aloud. I thought of my own long-married parents who just bought and furnished a luxurious apartment with the zest and pride of newly weds. I thought of a picture I had just seen of Paraguayan Anacleto Escobar and his wife on his 100th birthday. Having just been given a house for the first time in their lives by their village, they clutch each other in a kind of crazy joy I don’t think I will ever know. In the deep of my own bed at night I wonder who will help them if they need a new roof and then scold myself for being too practical.
I walk back inside: The Smiths are now in their kitchen, which boasts appliances from the Reagan administration. She is putting some flowers into an empty mayonnaise jar while he is making a grocery list, while chewing thoughtfully on a pencil stub. Classical music is wafting from a radio propped on a shelf that’s meant no doubt to hold cookbooks. I don’t announce myself, just yet for I yearn to watch them longer, not wanting to change a thing.

A Funny Thing Happened on the Way to the Instagram Playground
Monday, January 19th, 2015

Did you notice that when Instagram updated its program recently, many of us lost “faux” followers with a sudden drastic drop (Justin Bieber supposedly 2 million) so that one’s current follower status was only real people actually interested in seeing your images? If asked, would I have chosen to stick with the much higher fake number of my followers? Let’s just say I’m glad I wasn’t asked. Aren’t we all slightly addicted to that euphoric uptick when someone takes the time to say: I will follow your world? (On that dark day, a cartoon was posted around Instagram of Jesus consoling someone on a sidewalk saying: “I’m sorry, I know what it’s like to lose followers.”)
Another loss that happened when Instagram shifted into their new update mode: the inability to gage the exact count of one’s followers, such as 1,250. Now the box just says 1K. This was a little annoying, like the third grade teacher chiding you for counting your Valentines. In fact, Instagram really is one big playground: there are the popular people who seem to be living a much more glamorous life than any of us has a right to lead and then the rest of us scurrying behind taking shots of our dogs, shoes and coffee.
Then I read about an App that shows you exactly how many Instagram followers you have as updated by however many times a day/hour you want an update. So I bought it. Then I noticed a kind of creepy feature the App also offered, much like the very quiet girl who stood by see saw promising to tell you who she heard didn’t like you: a button to show you how many Unfollowers you had (in real time as they unfollowed) and WHO they were. I really hadn’t even considered this option and how it would make me feel. (Jesus would have no doubt immediately chided me for EVER clicking on that button. But of course I have.)
Why would you ever want to know who suddenly became disenchanted with your sunset image? What if you don’t know them? It still stings, like the boy in sixth grade you got to the dance with because you felt sorry for him for asking you all week and then he ends up dancing all night with your friend and suddenly you miss his attention. What if you know your Unfollower quite well professionally? Yes it has just happened to me and it’s awkward. They don’t know I have the App so they think their decision to disengage (most likely not given HALF as much thought as I am now giving it) is private and of course their every right. It’s not like I don’t unfollow people from time to time. Which makes me suddenly panicked: what if the people I unfollowed have the App too so that they know my actions? And what happens when we all see each other next? I imagine a New Yorker cartoon of floating cartoon thought bubbles above all our heads with the silent proclamations of “Follows Me,” “Doesn’t Follow Me.”
Will this all impact the pictures we post? Will I pre-edit in hopes I don’t offend/bore?
You know what your mother would say: she’s be saying it since your first day of kindergarden: just be yourself and others will like you. Then again, I can also hear Tara the most popular girl saying: “Oh you know why Susanna wrote this post. So no one will unfollow her now.” But it’s OK if you want to. Really.

Temporary Lodging
Monday, December 29th, 2014

What to do when your son asks you to make his dorm room artful?
To explain: “his” dorm room belongs to him in the sense that it’s his for three hours: he’s shooting a movie ( a feature length in four crazy days with a crew of other equally passionate twenty-something peers from film schools near and far) in the school he used to attend and where his younger brother now does.
I have been asked by him to help with the set design, a task I accept with professional enthusiasm even though squashing my maternal excitement behind it is like keeping the Tasmanian Devil in a broom closet.
I have approximately one hour before the crew and he descend into the cramped space with the three actors : a boy whose room this really belongs to (and whose cousin is the screenwriter and also an alum) a girl who also currently attends the school and during regular operating hours would not be allowed here and another seasoned graduate.
At eight am our footsteps echo through the stairway: only hours before the entire student body has fled for Christmas break. The now deserted campus— its regular purpose suspended— feels sleepy.
The dorm room as we find it is in your typical set up: bunk beds, cheap sofa, simple desks and window overlooking the gracious quad, but its standard issue was punctuated with several bits of exotica : a curtain made out of a Mexican blanket is partially pulled over the leaden case windows and perched above the rod is a giant white bone animal skull complete with antlers. We’re keeping these, I think immediately.
My task is to create a realistic non-reality out of reality. But why do anything? We needed a backdrop of a boys dorm room at a prep school for an intense confrontation scene and here it was handed to us: why change a thing?
Because this isn’t a documentary. A movie is a sequence of staged shots strung together to hopefully make a story that sucks you into its drama. The viewer wants their eyes to be tricked. In other words, it has to look like a more artful version of what it already is.
So the Carmen Electra in a bikini (shot from behind) poster had to go. It was too distracting. In its place I hang my husband’s vintage Coca Cola sign.
Will Ferrell from “Anchorman” also went (too blah) and a wooden tennis racquet and an old map hung in his place. (The character who is suppose to reside here being a worldly, intellectual type). I feel guilty, displacing these important vestiges of teendom and replacing them with their fake counterparts. A rap poster stays as does a movie poster for the movie “Shawshank Redemption.” We string some simple red Christmas lights as the scene calls for that time of year. Plugging them in behind a desk, I find a few discarded essay papers, complete with red teacher notes in the margins and I place them on top of the desk next to some books taken from Oliver’s real room at home.
As the screenwriter and trusty PAs help me separate the bunk beds to make more room for the crew, I have a déjà vu from when I did the same to my own dorm room years earlier to add distance from an annoying roommate.
I’m having such a good time that I don’t notice that Oliver has arrived with a gaggle of crew behind him. I have another memory flash: when I used to visit his own dorm room to grab his laundry and do a quick neaten up when he wasn’t looking. I’m tempted to say so many things to him now, about how proud I am and about how quickly time passes but I know better. So I step out of the way, my task complete. Several hours later, he calls me over to a huddled mass of people around a video monitor. “I just want you to see your work,” he says with an appreciative smile.
People separate and make room for me: I look at the frame. Even though it mimics what is only a few yards in front of my eyes, it feels far away and yet more intimate. Filled with the characters sprung to life inside it, the room is now a world and my props just glimpses into it, a complex compilation of sound, voice, movement and light. The Director of Photography turns to me and says: “The room looks good.”

The Fifth Wall
Wednesday, December 3rd, 2014

While having intense dental work this morning, I spent a lot of time staring at a ceiling, starved for visual distraction. It would not surprise you to learn that my dentist— while incredibly cheerful— has a drab ceiling that no amount of nitrous oxide can ameliorate. A grid of putty panels, flecked with grey, I can’t begin to imagine the sales pitch from the ceiling company: “Now for your ceiling, which your patients will be spending most of their time staring at while you inflict them with sharp instruments, we offer several shades of lifeless hues…” A few years ago, while in for a routine cleaning, something radical happened: two of the panels were removed and a light box image of a blue sky background—one of flying kites, the other of some bougainvillea vines—were put in their place. Clearly meant to distract viewers with their fantasy-like diversion, they only served to remind me that care-free, cavity-free moments were currently not a reality. (How many of us dream of flying a kite as soon as we leave the dentist office? A bar sign would perhaps be a more appropriate lure.) As drill bits were being swapped in and out, I began to fantasize about how my ceiling would look if I were a dentist. It is the fourth wall, after all and its impact can not be understated, especially to those lying horizontally beneath it. I didn’t need pretty pictures: I needed a real ceiling. Properly dressed. I would have happily stared at a glossy version of Farrow & Ball’s Hague Blue for hours or endured more novocaine shots if I could have gazed at Manuel Canovas’ orange and pink Bengale pattern instead or romped with Scalamandre’s iconic zebras until every tooth was replaced with a crown. Escape, after all, doesn’t necessarily come with pretending to leave the room, but in the dreaming that comes when beauty has been found within it.

Friday, November 14th, 2014

I blame the sweatpants. Yes, J Crew, J’accuse. Spun of buttery cashmere, form-fitting yet billowy in all the right places and strangely soothing. A kind of codeine version of pants. When I bought them, I envisioned them as a kind of Casual-Friday-but-hell-let’s-make-it-every-day-of-the-week-all-year-long-while-we’re-at-it uniform for when I worked at my home office. They arrived and no sooner than you can say missed deadline, I was wearing them. Well, wearing wouldn’t exactly be the accurate verb. More like inhabited. As I inhabited them, I began to tackle a story. Usually writing invigorates me. But I was feeling so relaxed, so “At Home” in my own home, that before long, I had taken them to bed. The deliciousness of wearing them while enveloped in fleece sheets with my dog snoozing at my feet and computer propped on a little faux fur pillow in my lap, was a sensation I would love to describe to you except I have no recollection. Within minutes I had succumbed to an undertow of sleep which morphed from “I’ll just have one of those five minute miracle naps” to “Do I really need to answer that?” to “Wow it’s really getting dark this time of year!” (it was already 4:30.) Suffice to say, deadline, carpool, dinner, was all crammed into what was left of my day: all two hours of it. There is a reason, dear reader, that mother birds do not put La-Z Boy recliners in their nests. Our nests must be comforting and nurturing and buffer us from life’s extremities but they must not do their job so well that we lose our incentive to ever explore it. Sleep is as potent a medecine as exists in helping us live healthy lives. But, like anything, if we summon it too easily, too quickly, then we lose the very thing we need sleep for: living.
The other day my teenage son ran into my room and hugged me. Note: it was before nine am. “What’s wrong!?” I cried.
“I had a dream last night, that I woke from this long coma,” he said. “And I was already thirty. I had missed everything.” Suffice to say, no caffeine was needed that morning. For either of us.

The Lobster Pot in the Basement
Tuesday, October 7th, 2014

I pride myself on our basement. It is orderly and edited and what little stuff that is down there, is needed and used when its turn in the season comes or if a special occasion necessitates it (patio furniture, luggage, Christmas wrapping, party ice bins, etc). Things are clustered together by category. I walk down there and I know what’s exactly there and why.
However yesterday I descended in search of a tool which took me around the bend to my husband’s orderly work bench and along the way I saw it. A lobster pot. Large and unused for years, it was on the floor next to some electrical equipment. I’d clearly ignored it before but no more. This time that lobster pot’s stubborn, dusty existence really bugged me. It embodied everything that drives me nuts about storing stuff. (Don’t get me started about those PODS that exist on people’s back yards holding stuff I’m sure they don’t really need or why have it out there?!) If stuff is important to you: whether because of its function or emotional significance, than make room for it in the house so you can appreciate on a regular basis. Clearly we don’t eat lobster at home with any kind of frequency. We haven’t used that pot in years if at all. But of course the thinking was: “Well what if we suddenly want to have lobster? We might need it.” My point is, if that were to happen— and trust me, it won’t if it hasn’t already— but if it were to happen, then when we embarked on the special errand to buy said lobster, we’d swing into the market and spend a couple of bucks on a lobster pot. Voila. I’m not encouraging you to toss diamonds into the trash of that amazing piece of art your child drew in Kindergarden which you don’t have wall space for.
I know this sounds sort of high and mighty but I’m telling you, get rid of the lobster pot in the basement. Or anything like it that smacks of: “But what if one day…” And while you’re at it, do the same with the rest of your house. Every room. Consider everything and be fearless with questioning its existence. And if you can’t justify it, then release with love.
And if you have a storage unit would you really miss the stuff that’s in there if it were to suddenly vanish? Can you even remember everything that’s in there? If you wouldn’t or can’t, then donate it to someone who might. It’s very freeing. And I promise, you will never miss it.

Saturday, September 6th, 2014

I’ll never forget my first really bad haircut. It was at a salon on Boston’s tony Newbury Street, a stylish step up from the barber shop my thirteen-year old head was accustomed to in our country town. As my mother chatted away with the hairdresser, he proceeded to snip away with zestful certainty. I felt powerless, unsure of when to speak up and inquire as to his overall plan. Slow, silent, tears wetted the clumps of hair on the floor below. A summer of swim team in over-chlorinated pools had produced a tangled mess of dead ends in need of “removal” my cutter explained as my mother paid the bill. Too old for a lollipop, I left feeling ashamed and also strangely violated. It made sense what had happened and yet…
When on vacation the other week, I got an email explaining that power was out at our house due to a tree branch that had fallen on the outside electrical wire during tree work. I asked my husband if he had commissioned the task and he said no. Our pet sitter soon after texted me a picture of our driveway that we share with a neighbor: three very large trees (technically on his property line but their majestic, knotty trunks were right in front of our house) had been felled in one swoop. The three power lines were now exposed even more with the tree branches gone and the bare trunks poked up through the ground, raw and gaping in front of our house’s facade like giant’s teeth.
Ironically, I was in New Hampshire surrounded by acres of trees and I kept pulling up the picture, my mouth agape.
My husband explained that the trees were dead and in fact he had pointed this out to the neighbor a few months ago. Dead branches falling on wires or on a car or person would technically be his responsibility. The neighbor had clearly understood the legal implications of this and had made a phone call. Still, the lack of warning or communication, the quick doing of it all while we weren’t these made me cry outraged tears in the dark night outside our cabin, the living trees clustered round, like sympathetic friends.
“But the trees were dead!” my husband reminded me as we pulled into our driveway for the first time and I shuddered. But their great trunks had given a visual texture- not to mention camouflage- to the dirty business of providing our home with energy. I felt we had betrayed their hard work all these years somehow. They had given to us by their very presence and now no longer useful, we had rid the world of them. So yes, now we were safer. But the absence of those decades-old trees- like the dignified old men with battered, kindly faces you see at war memorials- gives the house a modern ugliness I’m not sure it will ever recover from.
There’s the practical business of being a homeowner and then there is the emotional one.
Growing up we was lucky enough to live at the top of a hill, accessible by a long, curving driveway lined with dozens of trees that stretched high into the sky. Ocean and trees at the end of a long driveway lined my grandparents’ house: that familiar crunch of gravel when we pulled in felt both grand and cozy. If my car today passes over a similar sound, that feeling instantly resonates.
The approach ushers you into your retreat from the outside world with stylish comfort. It’s the beginning of your world and how you want to share it with visitors no matter their calling. It’s the way station between what you can’t control, and can. And no matter how much we try to contain its appearance, the world often suddenly steps in to reminds us, this is not always to be. Hair and trees grow back, but at their own timetable. Patience is perhaps as important as any architectural plan.

Temporary Neighbors
Wednesday, August 6th, 2014

When on vacation most people crave solitude, ideally to escape the rush of humanity that clutches them most of the working week. Perhaps a cabin or a hotel suite erected in a location that offers the delicious fantasy that life’s pleasures are a solitary pursuit. But for me, it is the reverse. My regular life operates in a pastoral setting that invites contemplative walks, yoga mats or exploring a lake in some form of peaceful exploration when dry cleaning, bill paying, and roof repair aren’t demanding to be pursued.
But here on vacation in Nantucket, we choose to relax in town. Slicing out a little urban life on this island in the Cape, means eschewing beach locations, but instead renting a little shingled house that is nestled on a tiny side street amongst other like-minded cottages. We love letting the kids bike to movies, the candy store and going in at night as a pack to get ice cream, something we can never do at home. Broken white shells line the grooves of the grassy lane our house shares with others: children run underneath my window in the morning, teenagers bike to the beach by noon and grownups head out at dusk, dressed for cocktails. The cobblestone street it channels into is full of activity much of the day and you weave yourself into its traffic: sandy Jeeps laded with surf boards, dusty pick up trucks with ladders, ladies on bikes, their purses poised in the wicker baskets, couples holding hands exploring the island for the first time. I love the sweet noisy throng of it all. Our house backs the yards of other little yards all bordered by hedges yet open for every kind of interaction: the woman next door who keeps wandering over in search of her old cat, much like a stray herself, the kids selling lemonade and sunflowers at the edge of the lane, the annoying buzz saw when someone’s scheduled a repair pierces the early morning like an alarm clock you didn’t set and the helpless incessant yap of a tiny dog left alone while is owners go out on their nightly excursions. (I have given up trying to figure out- in the maze of houses here- to which house, this yard and hence dog belong to. One night I actually biked out on to the main street in my nightgown, peering into the grand dimmed entries of the ship captains’ homes in hopes that the dog would rush forward from deep back and reveal its location. But no luck.) One night we went for dinner at friends from home, who themselves were renting a home several blocks away from our rental. We sat on their outdoor patio (as we often do back home in the splendid privacy of their garden) and had a view on all sides of other people in their homes doing those little nightly tasks that feel so much more special when done on summer vacation. Over wine, instead of watching the sunset, we watched a lovely woman, her hair pulled back into a messy ponytail, rinse some dishes in a lit window just across the way. Her mouth paused in a half smile- I could tell she was thinking of something wonderful as she worked- she wiped and then carefully placed each dish-no doubt not her own- into the wood dish rack.
My friend herself broke into a smile and poured me more wine and said exactly what I was thinking: “I could watch her for hours.”

Get Out of the House
Thursday, June 26th, 2014

“Mom I need a really great apartment. Actually three.” It wasn’t for a party but a short film my eighteen year old son Oliver wrote and planned to direct over two days of his Spring Break. I had stopped helping him with his math homework back in fourth grade. (Not because I wanted to but because I literally couldn’t.) More and more his articulate, impassioned discussions on everything from the hydrogen bomb to Kate Upton to Stanley Kubrick had me listening so I could learn. If both of us were caught in an unexpected undertow while swimming on vacation, it would be his able, much longer, arms that would rescue me. But finding him some fabulous homes in which to shoot? This I could provide.
The plot of “Get Out of the House” focuses on Gene, a sixteen year old New Yorker, trapped in his own Manhattan apartment when recent construction turns it into a wormhole. Trying to meet the girl of his dreams who awaits him on a park bench just outside, he travels through time and different incarnations of his own home, while desperately trying to exit it. Along the way he encounters a romantic young couple in the sixties and his own parents as newlyweds, scouting the place for the first time (they think Gene is the real estate broker).
Oliver had assembled a great cast, from his high school peers back in Connecticut who cut short their own Spring Breaks to shoot, to securing some New York-based professional actors he had auditioned during his freshman year at college in Colorado, via Skype.
But the apartments were each their own characters. The one Gene is trying to escape in present day, had to be comforting, slightly innocuous yet charming and super pretty. Think Reese Witherspoon.
Another had to explode visually on the screen as Gene runs through its rabbit hole of hallways, stairways and terraces. We needed something sexy and alluring but not too jarring. Think Sofia Vergara.
Finally, we needed an apartment that felt more like a dream, than reality. Fantastical, fearless and romantic. Think Scarlet Johansson.
I showed Oliver, my friend designer Howard Slatkin’s ode to his own apartment in his book, “Fifth Avenue Style” and his eyes lit up as he saw the magical rooms Howard had created that defy description until you are lucky enough to witness them in person. “Are you sure he won’t mind?!” Oliver asked me incredulously, turning page, after page without looking up. “It’ll be six teenagers. We’ll need a couple of hours and we will be so careful. But accidents can happen.”
“He will even serve you amazing sandwiches,” I assured him. “This is the kind of special guy he is.” As sure as I was, I still teared up when Howard responded within minutes of my email asking permission You can never thank your friends enough when they open your doors to you for whatever circumstances. But this was above and beyond special. And even when the cast and crew walked up and down his narrow hallways filled with precious treasures Howard never once wavered. Instead he offered us countless crustless sandwiches on monogrammed china that made us all feel like we had been transported to another time.
Dear friends and owners of the “Reese” apartment had the ideal place on Gramercy Park which would be the heart and soul of the shoot: Gene’s current day apartment. I’m sure the shoot was much less contained and longer than they were envisioning but they never let on and simply carried about their busy days as though it was perfectly normal to have a stranger changing in their bedroom and lighting equipment on their dining room table.
The final apartment (or “Sofia”) was the home of one of the cast members. We arrived dragging boxes of equipment (yes, I was equipment schlepper, driver, crafts table provider and, best of all, playing mother to Gene. By the way, having your son direct you as a mother to a make believe son he’s created is a kind of happiness-giving I only wish I can give back to Oliver one day.) The actor’s adorable eleven-year old sister was sitting watching a cartoon and eating popcorn in the seemingly infinite brownstone, (actually one of two, four-storied buildings separated by a private garden all belonging to the family) and merrily waved us in without looking ruffled for all the world. What was the most fun— aside from seeing my son thriving in his element— was how the cast and crew reacted to each apartment they occupied for those several hours, with equal parts respect, awe and delight and always appreciation. Being able to offer a child an experience of visiting a special home is to me on par with taking them on a unique trip or giving them a copy of a classic book you love.
At the end of the long day, at Howard’s, when the two gorgeous stars had changed into their costumes (him in a tuxedo paired with bare feet and she in a velvet evening gown off set by her waist-length, blond tresses) Oliver set up the shot in front of Howard’s windows that overlook Central Park. Several masterpiece paintings nearby seemed to defer to the new kids in town, who themselves looked like statues as they held an embrace while Oliver pulled the camera into focus. Howard and I watched it all from his velvet banquette beneath a porcelain aviary, dumb struck. It was like we were there, but time was dropping away along with the very walls of the apartment itself. As Oliver called “And…action!” The actors hesitated and asked if they really did have to kiss?… (Each were in a different relationship in real life.) Howard and I whispered: “They better!” almost simultaneously. Oliver gave us the eye and then kindly told the actors they were lovers, one about to head for Vietnam and that they needed to kiss. As they complied, I squeezed Howard’s arm the way you do in all great love scenes to whomever is sitting next to you in the theater. After Oliver called: “Cut!” The actors immediately separated, rushing to change, check iphones and call parents.
I looked at Howard and he was beaming. “You know,” he said. “I never get to enjoy my apartment this way. As a true observer.” All that was missing was the popcorn.